2019法国纪录片8.4《当我们谈论树的时候》1080p高清
更新时间:2024-10-10 类别: 纪录片 评论 下载
苏哈伊布·加斯梅尔巴里把苏丹电影的历史放在影片的中心,同时也揭示了一个受到持续危机影响的国家的现状
Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.
Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
第69届柏林国际电影节主竞赛单元 最佳纪录片 第17届中国(广州)国际纪录片节“金红棉”国际纪录片评优单元 优秀首作纪录片……
苏哈伊布·加斯梅尔巴里把苏丹电影的历史放在影片的中心,同时也揭示了一个受到持续危机影响的国家的现状
Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.
Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
第69届柏林国际电影节主竞赛单元 最佳纪录片 第17届中国(广州)国际纪录片节“金红棉”国际纪录片评优单元 优秀首作纪录片
南南讲堂// 4个从流亡中归来的老人企图在电影成为政治禁令的苏丹重开一家电影院,并不断遭受卡夫卡式的困境。与此同时,这部电影还反向追溯了流亡的历史,电影作为理想与荣耀的历史。始终贯彻其中的,是对电影的热爱,对影院(电影始终是影院的艺术)的坚持,对电影媒介(胶片到数码)的反思。以及以此为寓言,对我们这个时代的前史(冷战)和中美关系等全球化格局作出的光影捕捉。当然感性层面,“在这样的时代,谈论树也几乎是罪,因为它影射对无数恶行的沉默”(布莱希特)。革命电影院的第一位客人是一只骆驼,我向它介绍这个影院,拿出手机同它合照,底下是空无一人的座椅。神来之笔啊
1. 在一个类剧情的、相对闭合的故事内核里,最触动的仍是回应现实环境的瞬间,这种呼应不是呈现景观、不是和主角之外的人简单对话,而是现实环境震颤了看似封闭的故事内核。主角在影院阳台上被清真寺祷告声环绕的那一刻,声音这一基本元素包裹着伊斯兰教义与dictatorship的沉重现实冲击着主故事线,这是“电影之神”的一刻。祷告声在特定环境下如此自然,但又有着多重的复杂性,具有全方位的压迫性和预言性。寻找形态最基本的电影元素,但这一元素可以让故事主线颤抖。2. 四个角色还可以更丰富,除了领头的老人,四个老人的人物小传几乎没有区别,很容易沦为故事讲述的工具。很好奇每个老人成为电影人的背景,如今在做什么,电影协会里面那个女孩的背景是什么。当然,这个故事实在太独特了,能挖掘到这样的故事本身,已经是一大步了。
关于用理想反抗现实的纪录片作品,讲述一群老头为没有电影的电影院四处奔走,最终却无奈作罢的故事。最后老爷爷在播放着激情政治演讲的电视机前入睡的镜头令人印象深刻。是一部现实意义大于艺术价值的纪录片。
看的时候一直以为剧情片,看完和mq讨论观后感才知道是纪录片……剪编很精彩了,很多意义丰富的细节。不过我老忍不住觉得四位老哥有点out of nowhere(就这也是剧情张力所在,但还是想看到更多联系/无法联系),一个出戏的点是他们给人做调查问卷。。。(另,有一处场地老板讨论找中国公司的细节
原来是冻在镜头里的沉默和悲伤。碎到时间自由了,消失不见了,只剩下一捆反抗。原来是那么冷淡地隔着屏障讽刺民主,却也把自由困在里头了。原来当我们谈论树的时候,我们在谈论犯罪。
搬演式纪录片。对电影的热爱与回首。苏丹的历史与现实。解题,布莱希特的诗:这时代,谈论树,几乎也是罪过,因为它意味着对无数罪行的沉默。 (戴B站直播)
当老头戴上蓝色头巾重现《落日大道》中的情景时 心里不知该是高兴还是难受.“我们比他们聪明 但他们更强大”“在这样的时代 谈论树也几乎是有罪的 因为它影射人们对无数恶行的沉默”
当下电影和观影的意义是什么呢?在那样一个时代,像与树对谈一样,谈论电影甚至有了使我们陷于不义的危险。但四位老人的乐观又让人觉得这件事是值得的,不足以被谴责的。因为我们只是为了电影而已。
当我们谈论树的时候,我们是沉默的,关乎道德正直,以及不再纯粹的政治,是无法容许纯粹的电影艺术的。水一滴一滴落下的声音,是痛苦折磨的伤痛。这又是谁的手笔?这会是谁的明天?
在他们得到有效的人工智能技术建立AI警察部队、或者永生的生物技术成为不死的统治者之前,他们要尽一切力量去保证树都是不可以被谈论的事物。他们会反复不断地念经“我们有七千……七百万……七千年的历史……”,但更重要的事实是每个人都只有一生。
在这样的时代,谈论树也几乎是犯罪。与其讨论梦想,不如说是揭露一个社会体制剥夺个体的基本权利。反抗是什么?反抗就是呼吸和吃饭,是战斗潮流,是他妈的大电视机。但即使如此,聪明仍然比强大脆弱太多了。
“在这样的时代,谈论树也几乎是罪,因为它映射人们对无数恶行的沉默。” 当两位电影人在观众的笑声中用双手拉起幕布 只为完成影片的播放时 是对电影何等坚定不移的热爱呢 最终的结果即使是失败也是伟大的 因为“希望”需要前进与成长